{"version":"1.0","provider_name":"da.news","provider_url":"https:\/\/da.news\/en\/","title":"A mole in the R\u00fcsselsheim theater - da.news","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"qUUlkgiRMn\"><a href=\"https:\/\/da.news\/en\/a-mole-in-the-russelsheim-theater\/\">A mole in the R&#xFC;sselsheim Theatre<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/da.news\/en\/a-mole-in-the-russelsheim-theater\/embed\/#?secret=qUUlkgiRMn\" width=\"600\" height=\"338\" title=\"&#x201C;A mole in the R&#xFC;sselsheim Theatre&#x201D; &#x2013; da.news\" data-secret=\"qUUlkgiRMn\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/da.news\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_width":1697,"thumbnail_height":1060,"description":"Ren\u00e9 Marik presents top-class puppet comedy. Ren\u00e9 Marik, the master of puppetry who practically disappears during his performances, brings his current show \"ZeHage \u2013 Best of plus X\" to the R\u00fcsselsheim Theater. Known to millions online, Marik presents an entertaining mix of new and classic sketches. His iconic puppets, especially the Mole, have long since achieved cult status and come to life on stage this evening. When he performs, he suddenly becomes invisible. He lets his puppets slip into roles that are unsurpassed in virtuosity and liveliness. Millions of internet users and thousands of live audience members already know him. With his show \"ZeHage \u2013 Best of plus X,\" Ren\u00e9 Marik comes to R\u00fcsselsheim and brings his beloved puppets, especially the Mole, Falkenhorst the Frog, and Kalle the Polar Bear. It all started about ten years ago with a few videos that Ren\u00e9 recorded with the simplest of means during one of his shows and uploaded to YouTube. These spread like wildfire, and Maulwurfn (Mole) became a viral star. What followed paved the way for a new subgenre within comedy: puppetry for adults. In just a few years, the professional puppeteer Ren\u00e9 Marik went from a YouTube phenomenon to a fixture of the German entertainment scene. His quirky, endearing, and unique puppet comedy earned him countless sold-out shows, multiple platinum awards for his DVDs, and a feature film. After an artistic hiatus in 2012, Ren\u00e9 Marik returned to the stage with new adventures. In his current show, \"ZeHage \u2013 Best of plus X,\" he presents fresh adventures of his beloved characters and combines them with highlights from the past ten years. Ren\u00e9 Marik also regularly incorporates new acts, continuously weaving the stories of these all-too-human hand puppets. One thing is clear: The Mole has long been a fixture of the cultural canon and is virtually indispensable on German-language stages. Friday, March 21, 8 p.m. Theater R\u00fcsselsheim, Main Stage, Im Treff 1, R\u00fcsselsheim. Admission: \u20ac37.10 per person. Tickets and discounts are available online and at the Kultur123 service points in the city of R\u00fcsselsheim. Further information about the performance: theater-ruesselsheim.reservix.de"}